Shot in bad light? Light it after. Studio Light puts a soft key on the face and leaves the room as it was.
It finds the face and follows the shot’s depth. Drag across the frame to compare.
An AI video editor that takes direction
and delivers the final edit.
Brief it the way you would an editor. A few frames, a link, or a plan to approve.
Show it a look you like
Attach frames from any video and ask for what you see in them: the captions, the colour, the titles. The agent matches it on your cut.
Point it at a video you like
Paste a link from YouTube, Instagram, or TikTok and ask for your cut in the same style: the pacing, the captions, the sound.
A plan before the cut
For a bigger edit, the agent lays out the whole plan first: the shots, the music, the captions, the look. Build it as it is, or change a line.
How an edit comes together. From your footage to the finished file, in four steps.
Recorded next to a fan?
Lose the room. One switch takes out the hum and the traffic and keeps the voice.
Turn the sound on, then flip the switch while it plays.
Everything else on the bench. The tools you reach for between the big moves.
Curves you can watch work. Bend the Master curve or a single channel, and the shot beside it takes the grade as you drag.
Keyframe anything. Set a value, move the playhead, set it again, and every property eases between its keys as the shot plays.
A mixer beside the timeline. Faders, EQ, and a limiter on every track, with the music ducked under the voice.
A transition for every cut. From a clean dissolve to a whip pan, or one the agent makes for you. Lay it across the cut and set it to any length.
Effects worth keeping. Film grain, a cut-out outline, glow, halation, and more, each previewed on your own shot.
Questions, answered. The short version, before you join.
An AI video editor for your desktop. Tell the agent what you want in plain words, like “cut the long pauses,” “add captions,” or “give it a warm, filmic look,” and it makes the edit on your timeline.
Yes. It’s a full editor underneath: a multitrack timeline, color curves with live scopes, keyframes, transitions, effects, and an audio mixer, all in one window.
Most of what you’d do in the editor yourself, from one small change to a whole first cut. Describe it in plain words, whether that’s captions in a certain style, a tighter cut without the ums, a new transition, or a look you saw in another video, and the edit lands on your timeline, ready for you to keep shaping.
Yes. Every request is a single undo, and each answer in the chat has a Revert that puts the timeline back to how it was before that message.
Yes, you can start for free. When you need more, paid plans start at $12 a month, and every plan is on the pricing page.
Composite Studio runs on any Mac with Apple Silicon (M1 or newer) on macOS 12 Monterey or later, and on 64-bit Windows 10 and 11.
Composite Studio opens to the waitlist first. Join with your email and we’ll write when it’s ready to download.
No. Composite Studio runs on your computer: you import footage from your own disk and export the finished file back to it.