A video editor that takes direction
and delivers the final edit.
Under the agent, a real editor. Every lane, every step, every export.
A lane for every layer
Captions, titles, transitions, and keyframes each get their own track. Trim, ripple, and move any of them by hand.
Show it a look you like
Attach frames from any video and ask for what you see in them: the captions, the colour, the titles. The agent matches it on your cut.
Export in the format you need
Video, GIF, image sequence, or audio, at the codec, frame rate, and size you choose. Or hand the project to Premiere Pro, DaVinci Resolve, or Final Cut Pro.
Ask for the cut. Watch it land.
Describe the edit in the window next to the picture. Captions, a trim, a crossfade, a warmer grade. Each request is one step, and one undo.
- Add captions in the bold pop style
- Remove the ums and long pauses
- Add a crossfade at every cut
- Give the whole video a warm, filmic look
Or work the timeline by hand. The agent’s edits stay on it, where you can change them.
What’s possible in Composite Studio. The big moves, each a sentence away.
- A001 Speaking
- A002 Wide · road
- A003 Street
- A004 Golden hour
01 / 0500:00:00:00
Edit the whole video from one line.
Ask for a 30-second reel. The agent reads every clip, who is in it and what is said, shows you its plan, and cuts once you approve.
Everything to finish a video. The cut, the grade, and the sound, side by side.
Hover a look to see it on the preview. Click to add it to the clip.
Everything else on the bench. The tools you reach for between the big moves.
Curves you can read on the scope. Bend the Master curve or a single channel, and the parade beside it answers as you drag.
Keys for every move. Play, split, mark in and out, and export without leaving the keyboard.
A mixer beside the timeline. Faders, EQ, and a limiter on every track, with the music ducked under the voice.
Trim once, the rest follows. Ripple trim pulls an edge and closes the gap after it, picture and sound together.
Motion that lands. Choose how a move arrives, Smooth to Springy, and see the curve it rides.
One take, start to finish. Scroll the playhead through a first cut: the rushes, the edit, the finish.
Bring in the rushes
Import clips from your drive. They land on the timeline as they were shot.
Direct the cut
Describe an edit, or trim by hand. The agent's change lands as one step you can undo.
Grade, mix, export
Ask for a look or set it yourself, then export the finished file back to your drive.
Questions, answered. The short version, before you join.
A desktop video editor for the cut, the grade, and the sound. The timeline, color wheels, curves, scopes, and an audio mixer share one window, with an agent beside the timeline.
Make edits you describe in plain words: add captions in a style, remove the ums and long pauses, put a crossfade at every cut, give the video a warm, filmic look. Each one lands on your timeline, where you can keep working by hand.
Yes. Every request is a single undo, and each answer in the chat has a Revert that puts the timeline back to how it was before that message.
There is a free way to start. Plans and prices are not final yet, and the ones on this page are placeholders.
Composite Studio is a desktop app, built first for macOS on Apple Silicon.
Composite Studio opens to the waitlist first. Join with your email and we’ll write when it’s ready to download.
No. Composite Studio runs on your computer: you import footage from your own disk and export the finished file back to it.